The Dancing Faun
Antique Hallmarked Sterling Silver Teapot | Rebecca Emes & Edward Barnard | London 1824 | George IV | Presentation Engraved | Excellent Condition
Antique Hallmarked Sterling Silver Teapot | Rebecca Emes & Edward Barnard | London 1824 | George IV | Presentation Engraved | Excellent Condition
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Antique Hallmarked Sterling Silver Teapot | Rebecca Emes & Edward Barnard | London 1824 | George IV | Presentation Engraved | Excellent Condition
Some silver is merely beautiful. This particular piece has also lived a life.
Cast, chased, engraved and hallmarked in London in 1824 — two hundred years ago — this is a sterling silver teapot of quite exceptional quality and historical significance, bearing the maker's mark of Rebecca Emes and Edward Barnard: arguably the most distinguished silversmithing partnership in early nineteenth century Britain, and a firm whose lineage can be traced back to Anthony Nelme's workshop of circa 1680 — making it the longest continuous lineage of any manufacturing silversmith in the world.
Rebecca Emes formed the partnership with Edward Barnard in 1808, following the death of her husband, and the firm saw a significant boom in production under her guidance. The firm was one of the largest working in their period, with wide connections in the trade — supplying plate to Rundell, Bridge and Rundell, the Royal Goldsmiths themselves. To own a piece bearing their joint mark is to own a piece from the very apex of the Regency silversmith's art.
The teapot is of a generous, beautifully proportioned baluster form with deep gadrooned fluting running the full height of the body, creating a play of reflected light that changes entirely as the piece is turned. The lower body is encircled by a superb band of repoussé roses and foliage in high relief — worked with exceptional precision and depth. The domed hinged lid is bordered by an equally fine cast grapevine and berry garland, surmounted by a sculptural fully-formed rose finial complete with leaves — a detail of remarkable quality and ambition for a domestic object. The elegant high-arching handle retains its original ivory heat insulators, correctly fitted with the two-pin configuration required by period convention, and the entire handle spine is decorated with cast acanthus leaf and floral relief work of the highest order.
The body carries a presentation engraving that adds a layer of social history entirely its own:
"Presented to Charles O. Cox, Esq. by his Staff — June 1922"
Here is a piece that was already nearly a century old when it was chosen as a gift worthy of a gentleman from those who served him — a mark of the esteem in which both the recipient and the silver itself were held. The identity of Charles O. Cox, Esq. adds an intriguing dimension for the historically curious.
The hallmarks are clear and fully legible: the maker's mark RE/EB for Rebecca Emes and Edward Barnard, the lion passant confirming sterling silver, the sovereign's head duty mark, and the date letter for 1824 — placing this firmly in the George IV period, at the height of the Regency taste for richly ornamented silver of exactly this character. Additional hallmarks are present on the lid and handle collar, as visible in the photographs.
The condition throughout is excellent for a piece of this age and working history. The silver retains a strong, bright polish with good depth of colour. The repoussé decoration is crisp and well-defined. The ivory insulators are intact. The hinge functions correctly. This is a piece that has been used, appreciated, and cared for across two centuries — and it shows in the best possible way.
Key Details:
- Maker: Rebecca Emes & Edward Barnard, London
- Date: 1824 (George IV period)
- Material: Hallmarked sterling silver with original ivory handle insulators
- Hallmarks: RE/EB maker's mark, lion passant, sovereign's head duty mark, 1824 date letter — present on body, lid and handle collar
- Presentation engraving: "Presented to Charles O. Cox, Esq. by his Staff — June 1922"
- Condition: Excellent throughout
- Age: Approximately 201 years old
A teapot with a maker's mark that supplied the Royal Goldsmiths, a presentation inscription from 1922, and two centuries of quiet, distinguished service — this is precisely the kind of object that reminds you why antique silver endures.
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