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The Dancing Faun

Linnware | Turquoise Flambe Glaze | Mug & Two Ashtrays | Earthenware | South Africa | c.1940s–1950s

Linnware | Turquoise Flambe Glaze | Mug & Two Ashtrays | Earthenware | South Africa | c.1940s–1950s

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Linnware | Turquoise Flambe Glaze | Mug & Two Ashtrays | Earthenware | South Africa | c.1940s–1950s

Linnware's turquoise flambe glaze is one of those signatures so distinctive that attribution requires no mark — the glaze identifies the maker as surely as any stamp.

Linnware was produced by the Lynn family in Johannesburg from the 1930s through to the early 1970s, and represents one of the most recognisable and collectible bodies of South African studio pottery. The business was established by Lithuanian immigrant Harris Lynn and continued under successive family members, producing domestic and decorative earthenware that found its way into homes across South Africa during the mid-twentieth century. The pottery is defined above all by its glazes — rich, variable, hand-applied finishes that respond differently to the kiln at every firing, producing pieces that are similar in character but never identical. The turquoise flambe glaze, ranging from deep teal through bright aqua to pale celadon in a single piece, is the most sought-after of the Linnware finishes and the one most closely associated with the pottery's mid-century production. Pieces from this period carry the characteristic three kiln spur marks on the base, often with the maker's mark scratched through — a feature of the production practice of the 1940s and 1950s.

The grouping comprises a mug and two ashtrays, all in the turquoise flambe glaze. The mug is of straight-sided form with a slight taper, a squared loop handle, and a stepped lower band — the glaze running from deep teal at the base through brighter turquoise to the rim, with the characteristic variation and pooling of a hand-applied flambe finish. The two ashtrays differ slightly in scale and profile: the larger is of wide, flat form with a broad rim and three cigarette rests; the smaller is deeper and more bowl-like in proportion, also with three rests. Both share the same turquoise flambe treatment as the mug, with the glaze breaking to reveal the warm earthenware body at the rims and edges — a feature inherent to the firing process and consistent with period Linnware production.

All three pieces are in excellent condition with no chips, cracks or damage. The glaze is intact throughout on each piece.

Key Details

  • Maker: Linnware, Johannesburg
  • Country of Origin: South Africa
  • Glaze: Turquoise flambe
  • Mark: Three kiln spur marks with scratched-through decoration — consistent with 1940s–1950s production
  • Period: c.1940s–1950s
  • Material: Earthenware
  • Forms: Mug and two ashtrays (sold as a group)
  • Condition: Excellent

To collect Linnware is to collect a piece of South African domestic history — ordinary objects made extraordinary by the fire that finished them.

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