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The Dancing Faun

Occupied Japan | Black Americana Caricature Figure | Seated Figure with Watermelon | Porcelain | 1945–1952

Occupied Japan | Black Americana Caricature Figure | Seated Figure with Watermelon | Porcelain | 1945–1952

Regular price R 1,295.00 ZAR
Regular price Sale price R 1,295.00 ZAR
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Occupied Japan | Black Americana Caricature Figure | Seated Figure with Watermelon | Porcelain | 1945–1952


An object does not need to be comfortable to be historically significant — and the collector who understands that distinction is the one this piece is made for.


This figurine belongs to the collecting category known as Black Americana: objects produced primarily for the American market during the nineteenth and twentieth centuries that depicted Black people through the lens of racial caricature. That context is not incidental to the piece — it is the piece. Black Americana is today one of the most actively researched areas of American material culture, collected widely as documentary evidence of the visual language of racial stereotype, and studied as a record of how prejudice was manufactured, distributed, and made domestic. The collector base is substantial and serious, and includes many Black collectors who approach these objects as a form of reclamation.


This particular figure was produced during the Allied Occupation of Japan, which lasted from September 1945 to April 1952. Under the terms of the post-war trade agreements, Japanese manufacturers exporting goods to the United States were required to mark items with either "Occupied Japan" or "Made in Occupied Japan." The period of production is therefore precisely bounded: this figure was made no earlier than 1945 and no later than 1952. The mark on this example is impressed directly into the clay base — a method associated with better-quality Occupied Japan production, distinguishable from the ink-stamped marks found on lower-grade export wares.


The figure depicts a seated male figure in white clothing and a broad-brimmed straw hat, holding a large slice of watermelon. The facial features are rendered in the exaggerated caricature style characteristic of the Sambo tradition — heavy, simplified modelling with pronounced red lips and high-gloss black glaze. The clothing is modelled in white with naturalistic draping. The watermelon slice is painted in cream, green and red with impressed seed details. The glaze throughout is high and even, with no crazing visible.


There are no chips, cracks, crazing or paint loss. The piece is in mint condition. The base is clean and unrestored.

Key Details

  • Maker: Unknown Japanese manufacturer
  • Country of Origin: Japan (Allied Occupation period)
  • Mark: "Occupied Japan" — impressed into clay base
  • Category: Black Americana; Occupied Japan
  • Period: 1945–1952
  • Material: Porcelain
  • Condition: Mint

What makes a piece like this collectible is precisely what makes it difficult — the discomfort it produces is not a reason to look away, but a reason to understand what it was made to do, and for whom.

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