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The Dancing Faun

Royal Albert 'Prairie Rose' Bone China Trio — Set of Four

Royal Albert 'Prairie Rose' Bone China Trio — Set of Four

Regular price R 1,800.00 ZAR
Regular price Sale price R 1,800.00 ZAR
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Royal Albert 'Prairie Rose' Bone China Trio — Set of Four 

A rose by any other name might smell as sweet — but Prairie Rose, rendered in bone china, earns its name honestly.

Royal Albert's Prairie Rose pattern belongs to that confident mid-century moment when English bone china manufacturers understood exactly what they were doing and did it without apology. The pattern takes the wild rose — open-faced, unstudied, rooted in hedgerow and meadow rather than formal garden — and places it against the luminous white ground that only true bone china can produce. The result is neither prim nor overstated: it is simply a very good pattern on a very good material, and it has aged accordingly.


This listing comprises four matching trios, each consisting of a teacup, saucer, and side plate — twelve pieces in all. The prairie rose spray is rendered in warm pink, graduating from deeper magenta at the petal tips toward a softer blush at the base, with yellow-centred blooms and accompanying foliage in varied greens. Secondary sprays and a small flower study inside the cup add detail without crowding. The scalloped edge on each piece carries gilt trimming throughout, and a small bud motif visits the interior of the cup. The green crown backstamp with the pattern name in pink script dates the pieces to production in England.


Condition is excellent throughout. No chips, cracks, or crazing are present on any of the twelve pieces. The gilding — a reliable indicator of both age and handling history — is intact and bright on all edges and footrims. These four trios present as a cohesive set.


Key Details

  • Maker: Royal Albert, England
  • Pattern: Prairie Rose
  • Material: Bone china
  • Pieces: 4 trios (teacup, saucer, side plate) — 12 pieces total
  • Condition: Mint — no chips, cracks, or crazing; gilding intact throughout
  • Origin: England, mid-twentieth century

There is something quietly radical about designing a pattern around the wild rose rather than the cultivated one — a reminder that beauty, long before it was refined, was simply there, growing at the edge of the field.

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