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The Dancing Faun

Victorian | White Earthenware | Footed Teapot | Hand-Painted Gilt Rococo Revival Decoration | c.1840–1870 | Pattern No. 1398

Victorian | White Earthenware | Footed Teapot | Hand-Painted Gilt Rococo Revival Decoration | c.1840–1870 | Pattern No. 1398

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Victorian | White Earthenware | Footed Teapot | Hand-Painted Gilt Rococo Revival Decoration | c.1840–1870 | Pattern No. 1398

A teapot of this ambition was never intended merely to pour tea — it was intended to make a statement about the table it sat on and the household that owned it.

The Rococo Revival style that swept through the Staffordshire potteries from the 1830s to the 1860s produced some of the most elaborate earthenware forms of the Victorian period. This example sits squarely within that tradition, translating the fluid curves and ornamental excess of eighteenth-century Continental porcelain into a robust white earthenware body capable of carrying both moulded detail and extensive gilding.

The form is characteristic of the type at its most expressive: a lobed melon body raised on four scrolled bracket feet with a shaped apron between them, a high domed and lobed lid with loop finial, an acanthus-moulded scrolled handle, and a pronounced upswept spout. The proportions are confident, and the overall effect is one of deliberate visual weight and presence.

The decoration is entirely hand-painted in gilt and applied with notable consistency across every surface. Scrolling acanthus ornament runs across the upper body, with pendant swag garlands and floral drops below, while the lid carries fine floral detailing. The gilding extends uninterrupted across the handle, spout, feet, and apron — a level of coverage that speaks to workshop quality rather than economy production. The base carries the pattern number 1398 in gilt; no maker’s mark is present, which is not unusual for earthenware of this type and period.

There are no chips or cracks. The gilt shows age-related wear consistent with its period, and the interior carries a warm, even patination from use. The lid fits correctly.

Key Details

  • Maker: Unidentified English, probably Staffordshire
  • Body: White earthenware
  • Style: Rococo Revival
  • Decoration: Fully hand-painted gilt — acanthus scrolls, swag garlands, floral detailing
  • Pattern number: 1398
  • Period: c.1840–1870
  • Length (spout to handle): 25.5 cm
  • Height: 20 cm
  • Weight: 947 g

Collector Appeal

Footed Rococo Revival teapots of this scale and decorative completeness are increasingly scarce in the market, particularly examples retaining full structural integrity and continuous gilt decoration. The absence of a maker’s mark is typical rather than detrimental; the strength here lies in form, execution, and survival. This is a piece that sits comfortably beyond purely functional ceramics and into the realm of display-led Victorian domestic objects.

The Victorians understood that a teapot is a performance as much as a vessel — and this one was dressed for the occasion.

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