The Dancing Faun
Royal Albert | 'Heirloom' Pattern No. 4534 | Bone China Trio (Teacup, Saucer & Side Plate) | Cobalt Blue, Burnt Orange & 22ct Gold | Made in England | Mint Unused Condition
Royal Albert | 'Heirloom' Pattern No. 4534 | Bone China Trio (Teacup, Saucer & Side Plate) | Cobalt Blue, Burnt Orange & 22ct Gold | Made in England | Mint Unused Condition
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Royal Albert | 'Heirloom' Pattern No. 4534 | Bone China Trio (Teacup, Saucer & Side Plate) | Cobalt Blue, Burnt Orange & 22ct Gold | Made in England | Mint Unused Condition
Some pieces do not merely decorate a table — they command it. This Royal Albert Heirloom trio, ablaze with cobalt, burnt orange and pure gold, is among the finest expressions of the English bone china tradition.
Royal Albert has been producing fine bone china in the Staffordshire Potteries since 1896, when Thomas Wild & Sons established the Albert Works in Longton. The name 'Royal Albert' was formalised in the early twentieth century, and the company steadily built a reputation for richly decorated, highly gilded tableware that positioned it firmly at the aspirational end of the English bone china market. At its Staffordshire peak — before production was ultimately wound down in 2002 — Royal Albert employed decorators of considerable skill, and no pattern better demonstrates this than Heirloom.
The Heirloom pattern, registered as pattern number 4534, is Royal Albert's most ambitious and most collectable design. Conceived in the Imari tradition — that distinctively opulent vocabulary of deep cobalt blue, iron-red orange and burnished gold that originated in the Japanese port city of Imari in the late seventeenth century and was adopted with such enthusiasm by the English potteries — Heirloom translates this centuries-old aesthetic into a thoroughly English idiom. The result is a pattern of genuine grandeur: a deep cobalt ground interrupted by shaped reserve panels containing hand-painted bouquets of roses, peonies and autumn blooms, the whole surface animated by scrolling 22ct gold arabesque work and punctuated by characteristic diamond-shaped medallions in iron-red and gold.
The orange/rust crown backstamp present on this trio dates production firmly to the 1950s–1960s, the golden era of English bone china manufacture. Pieces from this period are considered more desirable than later examples: the gilding is richer and more generously applied, the cobalt ground deeper, and the overall quality of decoration noticeably superior to pieces produced after Royal Albert was absorbed into the Royal Doulton group. Collectors actively seek out this earlier crown mark as a guarantee of Staffordshire quality at its finest.
The Heirloom trio — comprising a teacup, saucer and side plate — was the fundamental unit of the English afternoon tea service, and finding all three pieces in matched, unused condition is increasingly uncommon. This trio represents an exceptional acquisition for the serious Royal Albert collector.
The teacup is of a generously proportioned, slightly flared form with a scalloped and lobed rim and a characteristic double-scroll handle finished in gold. The exterior is decorated in the full Heirloom scheme: a deep royal cobalt blue ground carrying three principal shaped reserve panels, each containing a hand-painted floral bouquet of orange and peach roses, open peonies, yellow flower heads and green foliage, rendered against a fine stippled background. Between the reserves, pairs of small diamond-shaped medallions in iron-red with gold surround punctuate the cobalt ground, while the interstices are filled with flowing gold arabesque and scrollwork of great delicacy. The interior of the cup is decorated to the rim with a complementary Imari scheme: a broad cobalt band carries the same arabesque gilding and diamond motifs, and a central floral cartouche in orange, red and gold occupies the well. The foot rim is cream-white with a fine gold line.
The saucer follows the same decorative scheme precisely, with four principal reserve panels of painted florals on a cobalt ground, diamond medallions between, and gold scroll arabesques throughout. The well of the saucer is white with a single fine gold ring. The side plate — approximately 17–18cm in diameter — is identically decorated, with a wider cobalt border accommodating four generous floral reserve panels and six diamond medallions, the gold scrollwork more expansive on the larger surface. The scalloped and shaped edges of all three pieces are finished with a bright gold line. The backstamp, printed in orange/rust, reads: ROYAL ALBERT / Bone China / ENGLAND / HEIRLOOM, surmounted by the crown device.
Condition
Mint unused. All three pieces are in perfect, untouched condition with no chips, cracks, crazing, staining or use wear of any description. The gilding — the primary value indicator for any Royal Albert Heirloom piece — is complete, bright and wholly intact on all surfaces, including the scroll arabesques, the diamond medallions, the reserve borders and the rim lines. There is no rubbing, fading or loss to any gilded area whatsoever. The cobalt ground is deep and even. The painted decoration is crisp and unfaded. These pieces have evidently never been used or displayed, having been stored carefully since new.
Key Details
- Maker: Royal Albert (Thomas Wild & Sons Ltd, Longton, Staffordshire, England)
- Pattern: Heirloom, Pattern No. 4534 — Imari-style, cobalt blue, burnt orange & 22ct gold
- Backstamp: Orange/rust crown mark — Royal Albert Bone China England Heirloom — dates production to 1950s–1960s
- Pieces included: One trio: teacup, saucer and side plate (3 pieces)
- Material: English bone china
- Dimensions (approximate): Cup: approx. 8cm tall x 10.5cm diameter at rim; Saucer: approx. 14.5cm diameter; Side plate: approx. 17–18cm diameter
- Gilding: 22ct gold arabesque scrollwork, diamond medallions and rim lines — fully intact, bright, no loss whatsoever
- Condition: Mint unused — no chips, cracks, crazing, staining or gilding wear
- Buyer profile: Royal Albert collectors, Heirloom pattern specialists, afternoon tea enthusiasts, prop stylists, interior decorators, gift buyers seeking an heirloom-quality piece.
A trio that does not whisper of quality — it announces it. The Heirloom pattern at its very finest: every panel painted, every curl of gold intact, every inch of cobalt burning as the day it left the Staffordshire kiln.
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