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The Dancing Faun

Stuart Devlin | Silver-Gilt 'Surprise' Egg | Mother Swan & Three Cygnets with Green Enamel Foliage | Limited Edition No. 70 | London Hallmarked 1984 | Royal Warrant Presentation Case | Exceptional Collector's Piece

Stuart Devlin | Silver-Gilt 'Surprise' Egg | Mother Swan & Three Cygnets with Green Enamel Foliage | Limited Edition No. 70 | London Hallmarked 1984 | Royal Warrant Presentation Case | Exceptional Collector's Piece

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Stuart Devlin | Silver-Gilt 'Surprise' Egg | Mother Swan & Three Cygnets with Green Enamel Foliage | Limited Edition No. 70 | London Hallmarked 1984 | Royal Warrant Presentation Case | Exceptional Collector's Piece

Lift the lid, and a whole quiet world reveals itself — a pen and her cygnets, perfectly suspended in silver and gold.

Stuart Devlin (1931–2018) was the most celebrated goldsmith and silversmith of his generation, and almost certainly the most inventive. Born in Australia, he came to London on a scholarship and never left — his workshop in the heart of the city became one of the most coveted addresses in the British decorative arts world. By 1982 he had been granted the Royal Warrant of Appointment as Goldsmith and Jeweller to Her Majesty The Queen, and the presentation case for this very egg carries that warrant in full, stamped in gold on crimson silk: By Appointment to Her Majesty The Queen, Goldsmith and Jeweller. Designed and Made by Stuart Devlin, London. That is not marketing copy. It is a statement of fact.


The Surprise eggs represent Devlin at his most personal and most technically demanding. Each edition was designed around a hidden scene — revealed only when the upper shell is lifted away — and no two editions contain the same interior. The finest examples are those where the concealed world has genuine emotional resonance: not merely decorative, but telling a small story. This egg tells one of the most affecting. A mother swan — correctly rendered as a pen — rests at the centre of the lower bowl, her three cygnets clustered close around her, all modelled in superbly detailed silver-gilt with individually worked feathers, beaks and postures. Behind them rises a stand of green enamel waterside foliage, the leaves translucent and richly coloured, swaying slightly as if in a breeze. The enamel ground beneath the family group is in mottled green, suggesting the surface of a pond. The craftsmanship required to produce this scene at this scale — inside an egg — is extraordinary.


The hallmarks on the base of the lower shell are fully present and clearly struck: the SD maker's mark in the characteristic oval cartouche, the London lion passant, the date letter for 1984, and a further mark. The edition number 70 is also struck into the base in a polished gold roundel. The upper shell carries additional marks including what appears to be the date letter and another assay mark. This piece bears no booklet — unlike the 1980 example — but the presentation box is in very fine condition and carries the full Royal Warrant text, making it a step above the earlier example in terms of box prestige.


Description
A substantial ovoid egg of generous weight and presence, the entire outer surface finished in Devlin's distinctive closely worked bark-effect silver-gilt — a surface that captures and refracts light in every direction and serves as the perfect counterpoint to the richly detailed interior. The egg separates horizontally at the equator, the join fitted with a polished gold band mount. The upper half lifts away cleanly to reveal the surprise interior. The lower bowl is fitted with a green enamel ground from which rises the sculptural centrepiece: a resting mother swan (pen) in silver-gilt, her plumage rendered in meticulous scale-like feather detail, flanked closely by three smaller cygnets in varying postures — each individually modelled with beaks, wing stubs and body detail clearly defined. Behind the family group, a tall spray of green enamel waterside foliage arches upward, the individual fronds separately formed and slightly translucent where the enamel is thinner. The scene is complete, contained, and deeply charming. The hallmarks to the base of the lower shell are clearly struck, including the SD oval maker's mark, lion passant, 1984 date letter, and edition number 70 in a polished recessed roundel. The original presentation case is in very good condition with crimson silk and velvet interior intact, the Royal Warrant and Stuart Devlin signature stamp bright and fully legible.


Condition
Very good to excellent throughout. The silver-gilt exterior retains even, warm gilding with no significant rubbing. The enamel ground to the interior is intact and strongly coloured. The green foliage enamel is vibrant and undamaged. The cast figurative elements — swan, cygnets, foliage — are clean, fully detailed and undamaged. The hallmarks are sharp and legible. The presentation box exterior shows very light age wear to corners; the interior is excellent. No booklet accompanies this example, which is noted but does not materially diminish a piece of this quality and rarity.


Key Details

  • Maker: Stuart Devlin, London
  • Maker's Mark: SD (oval cartouche) — confirmed on base
  • Hallmarks: Full London hallmarks — lion passant, 1984 date letter — struck to base of lower shell
  • Royal Warrant: By Appointment to Her Majesty The Queen, Goldsmith and Jeweller — stamped to presentation box interior
  • Type: Novelty 'Surprise' egg — silver-gilt exterior, mother swan & three cygnets with green enamel foliage interior
  • Edition: Limited edition No. 70
  • Weight: 133 grams total
  • Height: 7 cm
  • Provenance: Original Stuart Devlin Royal Warrant presentation case (crimson silk interior)
  • No booklet present — fully disclosed
  • Condition: Very good to excellent — enamel intact and vivid, gilding strong, hallmarks sharp

The Worshipful Company of Goldsmiths called him the designer with the Midas touch. Lift this particular lid, and you will find he also had a poet's eye.

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